简介：在哈丽特·曼纳斯闯入时尚界后，她的生活发生了翻天覆地的变化。　　精神紧绷的经纪人、另类的设计师、不可思议的高跟鞋、　　笑容灿烂的可爱超模 — 哈丽特对自己即将面对的一切毫无头绪。

简介：Basedontheeponymouslytitlednovel,thisisthepowerfulreal-lifestoryofLaleSokolov,aJewishprisonerwhowastaskedwithtattooingIDnumbersonprisoners’armsintheAuschwitz-BirkenauconcentrationcampduringWorldWarTwo.

简介：Channel 4续订《大男孩》第二季。

简介：格蕾丝、安妮和汤米正在迅速成长为警察，但没有什么能让他们为每天面临的混乱做好准备。麦金太尔犯罪团伙垮台已经一年了，真空被敌对帮派填补，他们都在争夺统治地位。警员肖恩·布拉德利被征召来帮忙，但他的动机尚不清楚。汤米被情报警察的世界危险地诱惑，而格蕾丝努力处理她儿子的缺席，以及对同事史蒂夫日益增长的感情。当一个年轻的忠诚分子威胁要接管这座城市时，警察们面临着一个主要的黑社会。

简介：第二季将在6个月后加入Chris Carson。克里斯正试图重建他的生活和人际关系，不顾一切地避免几乎把他拖垮的腐败。他正在努力成为一个更好的警察，一个更好的人，最重要的是，对他的女儿蒂莉来说，他是一个更好的父亲。与此同时，还在处理作为夜间反应官的无情创伤……

简介：ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout.

简介：The series follows a group of strangers from different walks of life forced together to complete a community payback sentence in Bristol.

简介：由 Shondaland 和新剧集主管杰斯·布朗内尔打造的《布里杰顿家族》第三季回归。上一季中，佩内洛普·费瑟灵顿（妮可拉·考夫兰饰）听到了科林·布里杰顿（卢克·牛顿饰）对她的贬低言论，本季她终于放弃了长期以来对科林的迷恋。她决定是时候找个丈夫了，最好是一个能让她足够独立的丈夫，让她能够远离母亲和姐妹，继续过着维斯道恩女士的双重生活。但由于缺乏信心，佩内洛普在婚姻市场上的尝试以惨败告终。与此同时，科林结束了夏季旅行，面貌焕然一新，神气十足。但他沮丧地发现，佩内洛普这个一直欣赏他的人正在渐渐冷落他。为了挽回他们之间的友谊，科林主动提出指导佩内洛普培养自信，帮助她在本季中找到佳婿。但当他的课程开始奏效时，科林必须努力思考他对佩内洛普的感情是否真的只是友情。对佩内洛普来说，她与埃洛伊斯（克劳迪亚·杰西饰）之间的不和使事情变得更加复杂：埃洛伊斯在一个令人不可...

简介：BBC续订《9号秘事》第八、九季。

简介：两姐妹，贝卡和罗莎琳，多年来已经分开，但通过悲剧事件学会了爱和尊重彼此。姐妹俩都飞到马恩岛去寻找并送还母亲玛丽的尸体，她们得知母亲玛丽一直过着双重生活，把父亲理查德留在曼彻斯特的家中，同时为她创造了另一个世界。